Biography: Willie Nelson / Asleep At The Wheel

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Willie & The Wheel Kings of the Texas Swing Reinventing the Wheel The Best of - on the Road Live From Austin Texas Very Best of Asleep at the Wheel 20 Greatest Hits Live at Billy Bob's Texas Remembers the Alamo Collision Course/The Wheel 23 Country Classics The Very Best Of 20th Century Masters: The Millennium Collection Back to Back Ride With Bob The Very Best of Asleep at the Wheel Super Hits Merry Texas Christmas, Y'All Back to the Future Now: Live at Arizona Charlie's, Las Vegas The Wheel Keeps on Rolling Still Swingin' Tribute to the Music of Bob Wills and the Texas Playboys - Dance Versions Tribute to the Music of Bob Wills and... The Best Of Greatest Hits (Live & Kickin') Route 66 Live and Kickin': Greatest Hits Swing Time The Swingin' Best of Asleep at the Wheel Keepin' Me up Nights Western Standard Time Asleep at the Wheel (MCA) 10 Pasture Prime Asleep at the Wheel (Universal Special) Served Live Texas Gold/Wheelin' and Dealin' Asleep at the Wheel (Epic) Comin' Right at Ya/Texas Gold Wide Awake! Live in Oklahoma Take Me Back to Tulsa Framed

Ray Benson (b. 16 March 1951, Philadelphia, Pennsylvania, USA; guitar/vocals), Christine O’Connell (b. 21 March 1953, Williamsport, Maryland, USA; vocals), Lucky Oceans (b. Reuben Gosfield, 22 April 1951, Philadelphia, Pennsylvania, USA; steel guitar), Floyd Domino (piano) and Leroy Preston (rhythm guitar/drums) formed the core of the classic line-up of this protean western swing-styled unit. Although initially based in West Virginia, the band later moved to Austin, Texas, where they found a more receptive audience in the wake of their infectious debut album. They had a US Top 10 single in 1973 with ‘The Letter That Johnny Walker Read’ and won a Grammy for their version of Count Basie’s ‘One O’Clock Jump’.

Despite an undoubted live appeal and an appearance in the rock movie Roadie, Asleep At The Wheel’s anachronistic style has hampered a more widespread success. Led throughout by frontman Ray Benson, the band has continued to record and tour on a regular basis. The Bob Wills tribute album in 1993 featured several guest artists, including Willie Nelson, Chet Atkins, Merle Haggard and Dolly Parton. A similar affair appeared in 1999, with contributions from Mark Chesnutt, Lee Ann Womack, Dwight Yoakam and even the Manhattan Transfer. In 2000, Asleep At The Wheel set about re-recording a number of their classics, with the results finally appearing in 2003 on Take Me Back To Tulsa. Later in the year the band released an excellent concept album about the Alamo.

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